A documentary short on Joe Dallessandro, a counter culture icon and star of Andy Warhol’s Flesh (1968), Trash (1970), Andy Warhol’s Frankenstein (1973) and Andy Warhol’s Dracula (1974), among others.

The dining room of the Jolly Fiddler has long been presided over by Albert, an aged but very shrewd waiter. A past master of the gentle art of fiddling, he extracts the maximum profit from his job while managing to endear himself to both the customers and staff. Then, there's a visit from Mr Finch, who feels it's time Albert was replaced.

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A hapless grifter stands to inherit a small fortune from his estranged grandmother if he travels to Harmony, Texas to live with her. Instead of a short road to easy money, he finds a soft spot in his heart for the little town and unconditional love from his only living relative.

A meek, lowly employee at a London brokerage firm sees his life change when he's suspected of being a notorious womanizer.

A Cockney family inherit a ramshackle Devon farm. The rest of the family don't want to leave London but the father insists and off they go, to face the unknown.

Will Hay plays the pennyless, bungling solicitor Benjamin Stubbins, who arrives at his office to find his insolent office boy (Graham Moffatt) with his feet up on the desk, reading a wild west magazine, which Hay confiscates so that he can read it later. Stubbins later takes a job from a group of Americans who claim they want him to track down some ancestors of theirs in Scotland. In reality however they want to use his office so they can rob a safe in the room immediately below his office. Stubbins takes the job (which is designed to keep him out of the office). In the end Stubbins realises his mistake and at a Christmas Eve fancy dress party he informs a group of carol singing policeman about the Americans nefarious activities

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A man ending his workday gets a sensation that he is being followed.

Everything happens during the course of a day. A toddler looks for his lost toy, some people look for their happiness, circling around in some kind of a lost kaleidoscope; they love and hate, suffer and enjoy, being that honest or fake, joyful or saddening. In the end, the boy finds his kaleidoscope, but the question remains if grownups have found their dreams, or at least their traces.